Best Films of 2007
My corneas are in danger of peeling right off my eyeballs. I've been in movie-watching overdrive for the last two weeks trying to take in all the 2007 Oscar contenders. Finally, I'm prepared to offer up the Stave It Off Official List of 2007's Best Films.
I was a little surprised at which films sank and which ones swam in this recent test. I was disappointed in Before the Devil Knows You're Dead, Waitress, The Host, Talk to Me and Once. And I was surprisingly impressed with Stardust, Sunshine and I'm Not There. Apologies, but I couldn't actually force myself to watch Michael Clayton, so I wasn't able to include that heavyweight in my calculations.
When I first started making the list, I wasn't sure I could come up with 10 films I even liked in 2007, but with a little research, and my last minute cinematographic marathon, I actually found 14 winners. After significant soul-searching, I've winnowed it down to ten. One thing that stands out to me is that I loved the soundtracks on 9 of the 10 picks. I guess I'm a sucker for a great score.
Without further ado, here's my first attempt at a final list:
10. Juno - Heartwarming in a sly hipster way... almost sank beneath its own pains to be cool, but redeemed with a solid second half, a great soundtrack, and charismatic performances by its two young leads. (See the Stave It Off Review Here)
9. The Savages - Tastefully subtle and human... great showcase for Stave It Off's favorite actor, Phillip Seymour Hoffman (who has been one busy dude lately.) Mandatory viewing for social workers, especially those who work with the elderly.
8. Sunshine - Danny Boyle's take on space drama, taking hints from 2001 and Event Horizon. The "monster" feels unnecessarily inserted, but the primary conceit of the Sun as God figure, and just what happens to us as we get closer to God is marvelous.
7. Lars and the Real Girl - Offbeat feelgood movies are some of my favorites, and this one delivers. The real star of this film is a supportive community that asks (and correctly answers) the question, "What would Jesus do?" Almost enough to make me stop ranting about Christians.
6. Superbad - I can see how people would prefer Knocked Up, since it came first and introduced audiences to this comedy team's brand of foul-mouthed humor. But I saw Superbad first, and felt like the Michael Cera contrast worked better than the Seth Rogan maturation.
5. I'm Not There - The most impressionistic biography I've ever seen, and one of the films I've continued to think about since I first saw it. The film rests on an incredibly deep pastiche of homages and allusions. The soundtrack and art direction are great.
4. There Will Be Blood - More nihilistic than Soapy. Daniel Day Lewis should win best actor.
3. The Darjeeling Limited - Adrien Brody joins the Wes Anderson rat pack with surprising fluidity. Same brilliant dysfunctional family storytelling, great dialogue, brilliantly obscure soundtrack as Anderson's other films: The Life Aquatic, Royal Tennenbaums and Rushmore.
2. Margot at the Wedding - Actually succeeds at being just as dark as There Will Be Blood and our number one film. More convincing, and less cutesy, than Running with Scissors... this is a brilliant portrayal of borderline personality disorder. Nicole Kidman ought to edge out Cate Blanchett for Best Actress.
1. No Country for Old Men - I talked about this film for weeks, debating its finer points (and even its central meaning) with everyone I could find that had seen it. Coen Brothers should pick up Best Director and Best Picture honors. (See the Stave It Off Review Here)
There were lots of close calls and four films in particular that I wish could have made the list, but in the words of the Highlander, There Can Be Only 10! The others were Stardust, a Neil Gaiman penned screenplay that carries off his signature darkly romantic sensibility; Ratatouille, which everyone else liked just a little more than me; Sicko, which wasn't quite as compellingly told as the last two Michael Moore films; and The Golden Compass, which didn't do anything wrong, but just didn't excite me the way the book did.
Oh, and by the way... the Worst Film of the Year goes (easily) to Shoot Em Up.
Labels: Movies